100 tickets max available!

Facebook Event: https://www.facebook.com/events/430433283704643/ 

Salon Brut is een nieuwe insteek van Willemeen om on(der)belichte delen van de muziek naar boven te krijgen; Rafelranden en randverschijningen van  muziek en geluidskunst die mijlenver van iedere mogelijkheid van hitnotering plaatsvinden. Maar de poel waar Salon Brut in roert is actueel, springlevend en urgent. Bereidt u voor op zowel hard als zacht geluid, grillig , grappig, verrassend, pijnlijk, statisch en meeslepend.

[ENG] Salon Brut is a new program-initiative from Willemeen to dig up and show the more obscure spectrum of music. Sounds that doesn't fit in a particular genre or  are too foggy to discribe properly. In any case acts that are operate in a remote area's of the music scene; the extreme other end of R&B. Appropriate words to describe Salon Brut are: Absurdity, hard to handle, funny, weird, noisy, challenging.

This first time Salon Brut presents: Wolf Eyes with supporting acts who share common ground, either in sound/musically, or in approach/ workmethods and action.

Wolf Eyes (USA/ Subpop records/ American Tapes/ De Stijl)

www.wolfeyes.net

Some say Rock N Roll will never reach the same primitive raw vein hit of Bo Diddley at his more subhuman lurch or no unit can ever scramble the marbles left of what brain boiling suburban electronic punk outsiders did in the mid 70's: Whatever you think, there is no denying the homemade nuclear war Wolf Eyes has left on music. Wolf Eyes was birthed in the shadows by a few liked minded individuals: Nate Young, Aaron Dilloway and John Olson in the late 90's in Michigan. However, Wolf Eyes has become more than band, but a collective mutant ensemble, an art abstraction unit: musicians, print makers, photographers and more, all who share a primal shadowy vision of decoding the wilderness into the soul of humanoid from the deep audio arsenals.

Today, Wolf Eyes are pleased to announce their return with a European tour (a US tour to follow) and a new a record, No Answer : Lower Floors. Wolf Eyes are returning to longtime friend base and Interzone of outsider art, De Stijl Records, with whom the band worked on No Face Lives, their collaboration with Smegma and the loner blues cerebration unit Stare Case's Lose Today.

The No Answer : Lower Floors material covers all bases: tough to toughest to tangled, all done in the Wolves' least convoluted smooth style simple yet tangled rhythms. The vocals, delays, primitive electronics, woodwinds and raw guitar of newest member Jamas Baljo create a new destroyed space to crawl through. No Answer : Lower Floors was recorded and mixed at the Michigan Underground Group's gambling/clubhouse/art space, with the usually 2D-flat quality of the drums and electronics given creeping new brightness-life within the hollow echo acoustics of the sacred space's cinder prisons. No Answer : Lower Floors shares a natural feel with previous Wolf Eyes efforts but goes much further in detailing their underworld of odd melodies and mangled harmonics. Within their system-based economic compositions, there remains zero room for wasted space. The whole record is less internal misery and more colorful: of a "could be life on mars" zone than rainbows.

About the new album:  No Answer : Lower Floors features former members Aaron Dilloway and Mike Connelly, and thus is a family homecoming of sorts. More important, it's the dawn of a new Wolf Eyes era. As the desconstructed skull mangled on the cover states: it's RNR from a waste world of 2001244 A.D.

From Tough to Toughest to Tangled, No Answer was recorded and mixed at the Michigan Underground Group’s gambling/clubhouse/art space, with the usually 2D-flat quality of the drums and electronics given creeping new brightness-life within the hollow echo acoustics of the sacred space’s cinder prisons.

No Answer : Lower Floors shares a natural feel with previous Wolf Eyes efforts but goes much further in detailing their underworld of odd melodies and mangled harmonics. Within their system-based economic compositions, there remains zero room for wasted space. The whole record is less internal misery and more colorful, if of a “could be life on Mars” zone more than rainbows and daisies.

Supports:

Vrienden van de Duitse Keuken
http://www.robertdeters.nl/htmlrobert/vvddk.html

Sound artists using field recordings and found sounds then cut 'n paste it into an soundtrack style ambient collage.

Belchsingersonggrinder
www.soundcloud.com/belchkitchen
http://www.purevolume.com/belchsingersonggrinder

Belchsingersonggrinder is a oneman songs to noise unit. Performing on a  tender balance between harmony, fun and discipline on one side of the razorblade and chaos and hysteria on the other.Percussion, guitars ,vocals, homebrew electronics and  tapeloops four limbs, one boiling head!

Surd Zillah  (Knfkt!)
https://soundcloud.com/zurd-zillah

Known of his appearances at Knflkt, Noise Terminal, Sonic Terror and more, Surd Zillah is a soundadventurer, producing and mixing contra melodies. Let him take you on a trip in the world of unknown sounds.

Bart Hard

https://soundcloud.com/bart-hard
https://www.facebook.com/djBartHard

Known of his cutting edge hardcore, breakcore & noisecore sets. Specialised in many forms of underground music, dj Bart Hard collected a huge record collection through the years. For this special night he will play the best extreme noise, dark ambient and experimental soundscapes of his collection.
 

Neurobit (Enfant Terrible Rec)
http://www.facebook.com/bas.rioteerneurobit

Neurobit is an experimental project working in the fields of improvised micro sound collages and ambient soundscapes and noises created by using sound generators and micro sampling using 4bit, 8bit, & LCD console sounds. Neurobit released music on various labels like Enfant Terrible, Alphacut Records, Marasm and Retinascan. Behind the project is Bas Welling, also known for previous works under the monikers Former Descent & Rioteer, and productions for Meldy Peaches. As part of Meldy Peaches, Bas Welling already played shows with Wolf Eyes in Amsterdam and Bremen in 2010. But for this show in Arnhem he will bring out his video game console gear for a solo performance as Neurobit.

Svartvit (Harsh Noise)
http://facebook.com/svartvitnoise 
http://svartvit.bandcamp.com

Svartvit is a Dutch harsh noise project that was started in 2008 by sound artist Kevin Jansen. Svartvit takes influences from a wide spectrum including but definitely not limited to; Vienna Aktionism, socio-political topics, underground punk music, Russian constructivism as well as his contemporaries like Sword Heaven, The Rita, Prurient & Vomir.

gecomplimenteerd met Erik Maes visuals

extra info on Wolf Eyes noise pioneers

History

Wolf Eyes began as a solo project of former Nautical Almanac member Nate Young, with Aaron Dilloway joining in 1998, and John Olson in 2000. The group has released over 100 recordings in their relatively short lifespan. Official releases have appeared on labels such as Bulb Records, Troubleman Unlimited, Fusetron, and Sub Pop as well as on Olson's American Tapes label, Dilloway's Hanson Records, Mike Connelly's Gods of Tundra label and Nate Young's AA Records. Connelly (also of Hair Police) replaced Dilloway in early 2005, due to the latter's departure for Nepal to make arrangements for his marriage. Dilloway is no longer an active member of the group but he did some production work on their 2006 Sub Pop album Human Animal. and has performed with them on at least two occasions (Empty Bottle Chicago, IL 2/25/2006 and No Fun Fest Brooklyn, NY 3/18/2006).

John Olson also performs in Dead Machines with his wife Tovah Olson. Nate Young performs solo as Hatred and with Steve Kenney and Alivia Zivich in the visual music group Demons.

It was announced in February 2013 that Mike Connelly has left the group to concentrate on his solo work and Hair Police. He is replaced in the line up by another Michigan musician Jim Baljo.

Wolf Eyes' first two major tours were with Sonic Youth and Andrew W.K. They have also collaborated with Anthony Braxton.

Journalist Marc Masters discerns the influence of "the dirge of Swans, the clang of Einstürzende Neubauten, even the dark hardcore of the Misfits" on the group's sound.

In an article for Spin Magazine Henry Rollins named member John Olson's noise bands in a column about his 5 favorite bands stating "The guy has over 1,000 releases on his label, and I have almost 700 of them. I have a great deal of time for all of these noise terrorists — it's modern avant-meets-stoners in a basement...."

Nick Cain of The Wire characterizes Wolf Eyes as
“     an ungodly Noise hybrid which sucks fragments of US hardcore, Industrial, free jazz ..., avant garde electronics and Death Metal into a sonic vortex. Cloaked in cartoonish horrorcore imagery, their music's obvious delight in its own intensity is as infectious as it is puerile     ”
Distribution

Most Wolf Eyes recordings are self-released, following the DIY tradition of bands such as Smegma. Their first major release was Dread, released on the American Tapes and Hanson Records labels but distributed through Bulb Records. Other major releases include Dead Hills on Troubleman Unlimited as well as Burned Mind and Human Animal on Sub Pop. Most Wolf Eyes recordings are released as either lathe cuts, cassettes, or CD-rs.